[English] Sweetdreams.
[ French] It's good night formetoo.
- Doyouwant totake a midnight swim?. -Anothertime. I'm beat.
You would have ifshe came, wouldn'tyou?.
[ Franck] Stop it,Julie.
[Julie] Please stay!.
[DoorCloses]
[WaterSplashing] [Julie Laughs]
- [Julie In French ] Come on! - I'm coming.
[Julie] Get in!
- Hurry up! - You promise it's not cold?.
Is that all?.
[Julie Laughs]
Come on. Take it all off!.
[Franck] Whoo!
[Julie In French ] Missed!
[ Franck In French ] Stop it!
What areyou doing?. Cut it out.
[Franck MoaningSoftly]
[Franck In French] Stop it!
[Julie Screams ]
- What areyou doing?. - Leaving.
- What the hell areyou doing?. - Leaving!
Why now?.
Why areyou leaving?.
- Stay! - Shut up!
- Please stay! - Get off me!
[ Gasps ]
[ Panting ]
[ French ] What is it?.
- Why areyou closed?. - Wewon't be open until tonight.
Butyou're usually open. I come every day.
Yes. Franck didn't show up this morning.
- Why not?. - Maybe he overslept. He often does.
Perhaps something happened to him?.
How should I know?. Excuse me. I've gotwork to do.
[ English ] Did you sleepwell?. No.
Where did this blood come from?.
What blood?. Here, on the tiles.
Huh?. Oh, right.
That must be mine. I cut myself earlier.
Oh, yes?. And where did you cutyourself?.
Leave me alone!
Bitch.
[ Sniffing ]
[ French ] - I know a Franck Durin. - Yes.
He lives just outside oftown on thewayto Bonnieux.
Thankyou. Doyou know ifhe lives alone?.
Franck Durin's a bachelor. He had a girlfriend, but she's long gone.
[ French ] Anyone home?.
[Knocking]
Anyone home?.
Yes?.
[ English ] Oh.
[ French ] Hello, madame.
I'm looking foryour husband. I need to speakto him.
But I'm not married.
Doesn't Marcel...
John Bosload's gardener, live here?.
Yes. He's my daddy.
Pardon me.
- Is he home?. - No.
He's at the Swiss people's house.
Would you tell him to call me?.
- Yes. - Thankyou, madame.
But maybe I can helpyou?.
- Doyou knowJulie?. - Yes.
She's pretty.
Doyou have her mother's number?. It's important.
Julie's mother is dead.
What?.
It was an accident.
[Woman, Speaking English ] Hello?. Could I speaktoJohn Bosload, please?.
It's Sarah Morton. Okaythen.
Please hurry. It's urgent.
I'm sorry, Miss Morton. John's not available. Well, where is he?.
He's gone out. Okay, bye.
[Crying]
[ French ] You came back!
I thoughtyou'd gone!
I thoughtyou'd abandoned me.
Butyou're here!
You're here! You came back! Thankyou, Mummy!
Maman!Maman!Maman!
[ English ] Julie!Julie, I'm notyour mother!
[ Panting ]
[ Labored Breathing ]
[ Screaming ] Julie!
[ Sobbing ] Julie!
[ Screaming ] Julie!
Come here. Shh.
[ Breathing Slows ]
[ French ] What happened?.
[ English ] Nothing.
You just fainted. Everything's fine.
Oh, my head hurts.
It'sallright. It'llgoaway.
Julie?. Yeah?
You must tell me the truth. I need to know.
About Franck?.
Yeah.
I think I killed him.
But why?
I don't know.
Foryou.
Forthe book.
[ Gasps ]
[ Gags ]
[Insects Buzzing]
[ Groans ]
[WaterSplashing]
[ French ] Hang on.
Stop it!
- What areyou doing?. - Leaving.
- Why areyou leaving?. - Shut up, and get offmy back.
Get offme!
[ Panting ]
[ French ] You're such a pain in the ass.
[ Groans ]
[ Grunting ]
[ Crying ]
[ Sarah, English ] Areyou done?. Yeah.
Okay, now-- No, no. Get out.
Follow me now.
Ready?. You'll have to clean up behind.
Okay. Don't forget.
Good. You've found them. Yeah.
I'll take this. Okay.
Come on. Start digging.
[ English ] I'm so tired.
Not surprising. It's tiring to kill a man.
Sarah?.
Sarah. What?.
Thankyou.
[Sighs] Allright. That's done.
I'm going to bed now. Sarah?
There's something you forgot to burn. What's that?.
Your book.
It could be used as evidence.
Did you read it?.
No, but I just can imagine.
Well, stop imagining, huh?. Getyourselfto bed. We gotwork to do tomorrow.
[Footsteps Departing]
Listen. I've thought it over. We have to carry on with our lives as ifnothing has happened.
You should call Marcel and ask him to come up this afternoon to do somework.
Like cut the grass?. Why not?.
It's important for everything to appear normal... as it was before.
Anotherthing, did anyone seeyou with Franck before the two ofyou came here?.
No. Areyou sure?.
Yeah. I went to his house.
He lives in an isolated place outside Lacoste.
And after, we came directly here in my car.
Did anyone seeyou along theway?.
I don't think so.
Did he have anyfamily?. No. His parents are dead.
Right.
Areyou going back to London?.
Not straightaway. Thatwould looksuspicious.
Why areyou helping me, Sarah?.
Well, whywouldn't I helpyou?.
I don't know.
Doyou think theywill arrest me?.
No, not necessarily.
Ifyou do exactly as I say, I don't thinkthere'll be any problems.
And why should I believeyou?. Becauseyou write about murders in your books?.
Absolutely.
[Lawn MowerStops]
[ Softly] Marcel.
Sarah. [ Gasps ] Oh.
It's you. I came tosaygood-bye. I want to letyou finishyourbook.
I'm going to Saint-Tropez.
A friend of mine has some work for me in his restaurant.
It's possibly forthe best.
Areyou going to tell myfather?.
John?. I've got nothing to tell him.
You're right.
Good-bye.
Julie? Yeah?.
How did you get that scar on your stomach?.
Is that foryour book?.
Yes.
A car accident.
Good luck.
[ French ] You too.
[Footsteps DescendingStairs ]
[Julie's Voice, English ] Sarah, I don't reallyknow why I'm doing this,
but after everything that happened between us,
it seems like the right thing to do.
I lied to you. My mother's book was not completely lost.
It did burn, but she kept a copy which she gave to me.
John doesn't know I have it.
Perhaps ifl give you these pages today,
you will bring her back to life.
So ifthey inspire you,
take them, steal them.
They're yours. Julie.
[ Typing]
[ Clears Throat ] Yes, well.
I 've read it. I don't know what to say.
You didn't like it, did you?. I wouldn't say that, exactly.
Oh, come on,John. Stop beating around the bush. Give me the truth.
Well, I don't understand whatyou're trying to say.
And I don't recognizeyou in it.
I thought that's whatyou wanted. You wanted something more personal.
Yes, I know, but I--
I don't thinkwriting about feelings is your strong suit.
Murders, investigations, that's your line of country. I mean, this is fartoo subtle.
It's too abstract.
Where's the action? Where are theplot twists?
So, what's your advice?.
Shall I burn it?.
Oh, God, you're so melodramatic. No.
But for the benefit ofyour career, I don't thinkwe should publish it.
Not right now.
[ Chuckles ] Let's have anotherDorwell. Think ofyouraudience.
It's funny. That's precisely what I thoughtyou'd say.
Well, thereyou are then.
Come on. You can do betterthan this, Sarah.
Actually, I don't think I can.
I think this is the finest piece ofwork I've done in a bloody long time.
And because I knew in advance thatyou wouldn't like it,
I've taken matters into my own hands...
and I've given you a surprise.
I've signed with Barken.
Unlikeyou, they love the book.
Why couldn'tyou have told me?.
There are a few things thatyou couldn't tell me.
[ Chuckles ] Keep the book. Give it toyour daughter.
I've signed it for her. Ciao.
[DoorOpening]
Oh, bytheway, you can tell Terry Long's mother...
that Dorwell will be back and he's in top form.
Good-bye, Debbie. Bye-bye, Sarah.
Hi.
Hi, Debbie. [Debbie] Hello,Julia. Howareyou?
I'm fine. Howareyou? I'm verywell. Thanks.
Is myfatheraround? Yeah. I'll tell himyou're here.
Thanks. Hello,John? Julia's in reception.
Okay. He'll be out shortly. Thanks, Debbie.
[ Chattering Continues ]